Julius Caesar, Act II, Scene 1 A lesson is dramatic effectiveness - Literature Essay Samples

Act 2 scene 1 of Julius Caesar, from lines 1-69, is terribly important as it marks a turning point in the play. The two characters appearing are Brutus and his servant, Lucius. Brutus, having had the notion of murdering Caesar planted in his mind by Cassius, ponders and explores the idea here and, through self-applied rhetoric combined with the effect of Cassius scrolls praising his nobility, Brutus decides to take action and kill Caesar.The passage is extremely effective in dramatic terms: although Brutus is alone for much of the scene, with great potential for ensuing dullness and boredom, Shakespeare maintains the drama throughout and sustains audience interest through a variety of means. The line, I cannot, by the progress of the stars, give guess how near to day, provides a reminder of the storm and odd happenings of the night, which signify both the political turmoil of Rome and the inner turmoil of Brutus; whether or not public interest is more important than private friendshi p. The storm itself, at the discretion of the director, would no doubt be created using theatre lighting and sound, adding to the excitement and creating tension. Brutus orders his servant Lucius to fetch a torch, and then begins persuading himself that Caesar must die with the words it must be by his death. This simple, monosyllabic phrase clearly indicates Brutus intentions and, though he debates the matter in the course of his soliloquy, the final outcome is again highlighted in a six-word, monosyllabic statement, And kill him in the shell. These two phrases ensure that audience members are not lost among the maelstrom of poetic language, and maintain a clear sense of plot direction while allowing the incorporation of excitement and passion in Brutus self-persuading speech. The speech maintains interest through the use of poetic and richly descriptive language, using a variety of metaphors for Caesar including a serpents egg, which, if the man were crowned, would hatch and potent ially cause great harm to Rome. Such powerful poetic imagery is used both to give information about Caesars sense of self-importance while enthralling the audience.When Lucius re-enters with the torch, he brings a paper, which, unbeknownst to him, Cassius has thrown in to the window, purporting to be from a Roman citizen supporting Brutus, which helps to further persuade him to the cause of conspiring against Caesar. The letter, drawing on the memory of Brutus ancestor who drove the dictator Tarquin from Rome, urges Brutus to speak, strike, redress, and rid Rome of its new dictator. The entrance of Lucius and the presence of the scroll breaks up Brutus speeches keep the audience from boredom at his potentially (though this would differ according to actor and direction) insipid language. Brutus pondering is truncated when Lucius announces that March is wasted fifteen days, the dramatic interjection providing a reminder to the reader of the Soothsayers warning Beware the Ides of March of I.II 18. It creates a sense of anticipation for the audience of what is to come and heightens Brutus vexation, though it seems also to be a factor in determining him against Caesar. The mood of the piece then becomes increasingly menacing and sinister, especially with the entrance of the conspirators in the following section. The sense of expectancy of the cadaverous deed to come builds right through from here to the moment of Caesars death, and the audience becomes gripped as the tension onstage mounts.The stage direction Knock within provides a masterful dramatic transition to the next section of the scene, and as Lucius is sent offstage to see who knocks, the audience is left to ponder on the nature of a caller so late at night; again a deepening sense of sinister tension is heightened for the audience, and it is possible that, during the ensuing speech, the Director would have Brutus noticeably vexed.Brutus final speech in the passage is a summation of the section, and is e mployed in order to aid any audience members who may not have fully grasped the meaning of the primary speeches with their poetic language. The passage highlights Brutus inner turmoil with the emphasis, through irregular word-placement of the words I have not slept. The macabre nature of the deed which he has persuaded himself must be done is underlined using language such as dreadful, phantasma and hideous, and Brutus describes his own state of mind as torn once again: The genius and moral instruments are then in council. Genius refers to his soul and mortal instruments to his body, again indicating the nature of his mental turmoil.In a clever and intricate use of language, Brutus implies that the consequences of his actions will affect the empire using the word kingdom and, concluding his self-persuading argument in a brilliantly poetic, but notably implied, summation, the final word of his speech is insurrection, indicating to the audience once again that he intends to create an uprising in Rome.Shakespeare, through his masterful use of language, stage effects and characters, manipulates the audience throughout the passage to instill mounting tension and anticipation, maintaining a thickening plot line while retaining audience interest. All of these factors combined make this section from William Shakespeares Julius Caesar, II.I 1-69, so very dramatically effective.

Presentation of Sexuality in The Fox - Literature Essay Samples

Throughout D H Lawrence’s The Fox, the protagonist March is repeatedly represented as ‘a shadow’. This not only suggests March and Banford’s marginal status as unmarried women in a 1920s society, but represents a tension between what can be seen and what cannot. The presence of a shadow must automatically assume an absence of light. If this light is representative of March’s sexual epiphany, the construction of her gender is dependent on the influence of others, who produce this overarching ‘shadow’ that keeps March’s true sexuality in the dark. There is also a sense of what Butler describes as a ‘performance’ throughout the novel; March constructs her identity to portray different shadows, depending on the needs of the audience. Before Henry, her femininity had to be subdued to allow for a ‘more robust’ figure that could do a man’s work and run a farm (Lawrence, p.11). When Henry arrives, her iden tity, and thus femininity is dependent on a figure that demands a truly typical feminine sexuality. This perhaps prompts the question: does March’s sexuality ever truly ‘exceed’ her performances, or does it all remain an act? Walt Whitman suggests that ‘the unseen is proved by the seen’. This suggests that outward actions are inevitably caused by inward psychology; the ‘seen’ is the truth of the ‘unseen’. Yet, Lawrence challenges both Whitman and Butler with this simplistic and direct link, proposing that outward actions can be a performance, subverting this idea that the ‘seen’ is a direct consequence of the ‘unseen’. This is complicated further through the blurred boundaries that occur in the space between the conscious and subconscious. When conscious, March can control how her public actions, and therefore how she ‘performs’ to both Banford and Henry. Yet, when she then becomes a ‘dreaming woman’ at night, it allows the fox – an undeniable symbol of male sexuality – to penetrate her subconscious. As March realises her sexuality when unconscious, it is questionable as to whether this can ‘exce ed’ her externalised performance of gender. This symbol presents the process of March’s sexuality transitioning from masculine to feminine: She stretched out her hand [†¦] whisked his brush across her face, and it seemed his brush was on fire, for it seared and burned her mouth with a great pain. (Lawrence, p14) An evolution in action can be seen here, and is extremely important to note. In reality, March’s interaction with the fox is accompanied with a gun, and he is her prey. In her dream, she subconsciously renounces the role of hunter in instead attempting to ‘[stretch] out’ to the creature. This implying not only a fundamental need for physical touch that Banford, as her friend, cannot sate but also curiosity in exploring her emerging sexuality. An undeniable tension also lies between the fox and his dream parallel. In reality, he is a physical representation of Henry’s patriarchal dominance. So, when this symbol –that originally could only exist in March’s waking hours –passes to the mental, it suggests an even greater authority in seeing what others cannot, and ultimately going beyond her conscious ‘performance’ to witness her true sexuality. Additionally, the motif of fire represents a passion that is limited in its express ion through the medium of a dream. This concept of sudden, unexpected pain in being ‘seared’ is extended to pre-empt March’s future pain that is not ignited by repressed passion, but a disappointment in what is eventually found upon sexually awakening. To conclude, this concept of performance casts doubt on whether actions –the ‘seen –are an accurate representation of inner emotion, the ‘unseen’. It is possible that Lawrence suggests that March has performed this masculine role her entire adult life, and that this has consumed her outward identity. This would also imply that any realisation could only occur within the subconscious, as her outward identity seems fixed. Arguably, March’s sexuality exceeds any outward performance, as her epiphany occurs in her subconscious, where performance is seemingly impossible. Therefore, the ‘unseen’ cannot be proven by the seen if it is indeed a ‘performance’; thought will not translate directly to an action, but is instead altered, depending on which audience March is performing for. Butler suggests that sexuality not only exceeds performance, but also ‘presentation’. Whilst seemingly extremely similar, they must first be differentiated. As previously stated, a ‘performance’ assumes a certain sense of untruth, whereas ‘presentation’ assumes a primitive, unaltered translation from private emotion to public action. Whilst March’s sexual epiphany begins in her dreams, she eventually portrays her sexuality aesthetically; as Whitman specifies, the seen does in fact become evidence of the unseen. In this instance, sexuality does not exceed presentation. There is a period of time between March’s internal realisation and her outward proclamation. This state of awareness means she holds a temporary power of knowing her true identity: No, she was another being [†¦] Now it came upon him. She had a woman’s soft, skirted legs, and she was accessible. (Lawrence, p.40) It is assumed that March transitions from male to female. Yet, she is instead labelled as ‘another being’, presenting an elevation to an almost celestial identity, suggesting also a male superficiality in being enchanted by only the physical. Yet, this epiphany not only belongs to March, but Henry also. ‘It came upon him’, not her. The ambiguity of ‘it’ can be translated as almost a burden. In accepting March’s public show of womanhood, Henry must now fully accept the sexual responsibility of manhood; he is no longer merely a suitor, but a mate. Now that March is physically ‘accessible’ as a woman, it is suggested that Henry also sees March as surrendering her previous masculine independence. Lawrence’s choice of verb ‘accessible’ is almost violating; it implies that Henry takes pleasure in not only being now able to dominate her in a sexual manner, but her occupation as the wife role. She is now has †˜skirted legs’, synonymous with femininity, as opposed to masculine overalls that repel any sensual possibility. This vulnerability is continued in the sibilance of ‘soft, skirted legs’, mirroring the previous idea that sound can influence, as Henry’s ‘soft’ and ‘courteous’ tones do to May (Lawrence, p.16). This femino-centric identity is not only defined through what is worn, but constructed also through the absence of masculine wear. The act of physically adorning the dress strips March of the gun that she uses to protect the chickens− a collective symbol for women, including herself− from the fox. This focus on the aesthetic is a reminder that, despite March’s conflicting thoughts, her outward presentation as the perfect woman and wife is enough to sate Henry. Is then, a woman only a true woman if she declares it so publically? Therefore, this presentation of March’s gender is almost a social obligati on. She appears as a woman, and Henry is wholly contented with this conclusion, even if she is unsure of her sexuality. Thus, her sexuality does not exceed presentation here; Henry sees what he wants to see, and not the sexuality that she truly presents. Milne states that ‘Lawrence focuses on moments of individual recognition within conflicts of love and family.’ In The Fox, the focus extends to a society of three: March, Banford and Henry. In such an enclosed society, each of their genders and sexuality are constructed that assumes none of the social expectations present in wider twentieth century society. Throughout the novel, there are undertones of homosexuality; the possible relationship between March and Banford would traditionally be viewed as the ‘other’ in conventional society. Yet, in the boundaries of the novella, Lawrence constructs the definitions of normality wholly. It is only through Henry and March’s relationship that we then have a definition of love to compare their relationship to. March is separated from the narrator through the act of writing; she in turn temporarily exceeds the narration as she constructs her sexuality differently: I know what love means even in Jill’s ca se, and I know that in this affair with you it’s an absolute impossibility. (Lawrence, p.48) The transition between the narrator’s third person and March’s first suggests a new confidence in the protagonist. However, it is still questionable whether March can accurately understand what love ‘means’, despite her assertions of ‘[knowing]’; the established norms of ‘love’ are given by society. One is defined not only by how they feel, but how they should feel. Through detaching March from social expectation, ‘Jill’s case’ no longer becomes the homosexual ‘other’, but instead just another construction of love; the protagonist describes her moments of ‘individual recognition’ based on emotion, and not social expectation. There is therefore a certain truth in March’s assertion of ‘knowing’; she knows this version, her type of love. This contrasts with the remaining narration, where March actively lacks these moments of individual recognition in her relationships, concluding that ‘something was missing’ (Lawrence. p.50). Therefore, in this act of writing, March’s narrative temporarily displaces the narrator’s authority as key storyteller, allowing for this moment of recognition that truly comes from March, and not told through another. There is also a distinct difference in the language used: her relationship with Jill is seen as ‘love’, even if purely platonic, whilst her dalliance with Henry is an ‘affair’. The latter is ultimately associated with sin, whilst the former is seen as a pure, and good emotion. In suggesting the possibility of homosexuality, the boundaries between ‘love’ and ‘family’ are undeniably blurred. Yet, this is acceptable within an enclosed society through the realisation that the best existence may revolve around comfortable routine and not p assion. Despite a suggested independence in the act of writing, March still seems to be influenced by Banford. The echoing of ‘impossible’ from the previous narration (Lawrence, p.27) almost suggests an inevitability in the marriage failing through a restriction of sexuality. March once again must exist as a character that adheres not only to the social norms of ‘love’, but what both Banford and Henry impose upon her. Therefore, this narrative only temporarily exceeds the sexuality constructed in the remaining narrative. Once March is once again being written about, as opposed to writing, she exists as the ‘other’ and her sexuality is once again be repressed. Thus far, March’s, and subsequently Henry’s sexuality has been examined in terms of presentation. Yet, after they are presented, a conclusion must be considered. However March presents her sexuality, it appears any outcome is not enough. March attempts to satisfy both Banford and Henry, yet neither framework where she performs as masculine or feminine is enough to sate her need for ‘something more’. Arguably, this ‘something’ is not an issue that can be satisfied by a person. When it was only Banford and March, she was plagued by dreams of the fox. When Henry appears, March suddenly begins to conform to this over-exaggerated female image. This lack of satisfaction perhaps stems, once again, from lack of certainty, as Lawrence perpetuates throughout. March is not wholly this feminine ideal, and she is not wholly the ‘other’. Almost as if stemmed from Eve’s original sin, the only conclusion that can seemingly be drawn is the i nevitable disappointment of women. Therefore, perhaps the only ‘something’ March can strive for is ‘the awful mistake of happiness.’ Works Cited Lawrence, D. H., The Fox, the Captain, The Ladybird, ed. by Dieter Mehl (Cambridge: Cambridge University Press, 1992) Milne, D., ‘Lawrence and the Politics of Sexual Politics’ in The Cambridge Companion to D. H Lawrence, ed. by Anne Fernihough (Cambridge: Cambridge University Press, 2001) Whitman, W., ‘Song of Myself’, The Complete Poems of Walt Whitman (Hertfordshire: Wordsworth Editions Limited, 1995)

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Hank Aaron Biography - 764 Words

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Eating Disorders The Forgotten Issue - 1302 Words

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Essay on What lies in the future of our youth - 2611 Words

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International Business Market Entry Strategies

Question: Describe about the International Business for Market Entry Strategies. Answer: Market Entry Strategies Here, the market entry strategies of Cibo Expresso coffee branch to China is discussed. The market entry strategies are based on the principal leadership, marketing as well as human resource management issues. Each of these three market strategies is described below: Leadership First of all, the leaders of Cibo Expresso needs to follow up some basic strategies to penetrate the market of China (Schorsch, 2009). They need to reduce the price at first, which will help the organization to enter a present market. The introduction of a good at a minor price than the leaders, a latecomer can fascinate fresh, and new customers who would not have otherwise buys the particular product. Subsequently, the entire market is expanded. The reduction in price can also induce the current clients of the leaders to switch (Kenneth Shaw, 2015). After all these, this strategy gives an outcome in abridged margins for the fresh entrant equated with the other players in the China market. Secondly, the leaders can engage themselves in improving the service or product of Cibo Expresso by focusing on a niche market. The organization needs to innovate itself to compete with others. The innovation may be incremental or radical. On the other hand, the leaders can advance new channels of delivery for accessing new markets or better penetrate the current ones (Lymbersky, 2008). Globalization is not a solution. First of all, they need to grab and compete well in some areas of the world. The leaders are crucial for marketing strategies because they launch a presence in the marketplace. They also build the equity of the brand as well as create a brilliant supply network system. The clients become used to improve the analysis over time. Therefore, the fresh entrants have to capitalize considerably for achieving the same coverage. Leaders are very useful in controlling the ideal sites, build the loyalty of the brand by proposing the superior customer service (Kotler, Keller, Lu, 2009). They are also helpful for fastening in clients by promoting apparatus for a prolonged period under fixed-service agreements. Gaining control of the key channels of supply is their role in market strategy. Marketing The challenge to enter the China business sector way has turned into an inevitably critical one of Western companies of all sizes and shapes (Kretzberg, 2008). With the country ready to overwhelm the United States as the second leading international economy by 2020 and assured to continue a motor of global expansion for the subsequent decade, observing how to enter substantial and sophisticated business sector has gotten to be fundamental to most organizations in the business-to-business circle. Although a difficult financial environment in Europe and the United States, the economy of China has kept on developing by dual digit rates in the progression of the past couple of years. Cibo Expresso needs to identify the market at first. China has the populace that exceeds 1.3 billion people, and it has a land mass larger than the United States. China represents an enormous potentiality in a market for foreign manufactured products and services (Succeeding in China, 2010). So, Cibo Express o has a way to enter. The recommended cities for Cibo Expresso are Shanghai, Beijing, and Shandong. Shandong is best among all since this town has industries like foodstuffs and oils. The other two cities are the automobile and IT based. After a long working day, the workers can relax and enjoy the coffee of Cibo Expresso. On the other hand, the company needs to concern with the Government regulations and policies of China (Low, 2007). Sometimes China severely restricts foreign businesses to get involved in the field of telecommunications, petrochemicals, and energy. Therefore, Cibo Expresso must not worry about the entrance problems. Regulations are becoming more rigorous. The company also needs to perform a market research which will help to find and hire staffs from the corners of the country. Cibo Expresso can make full use of technology regarding customer service and manufacture of products since the country is full of technologists (Kllezi, 2013). Besides, the company can utilize the marketing mix such as price, promotion, place and product as their ideal market entry strategy. Additionally, Porters Five Force Analysis along with SWOT/TOWS Analysis or PESTEL Analysis can be utilized by Cibo Expresso as a strategy to enter the market of China. Human Resource Management The human resource department of Cibo Expresso must use the transnational approach as their market entry strategy in China. A transnational approach involves the global strategies, coordination of operations and utilizing extraordinary benefits of nearby markets to drive deals, part of the overall industry and development of profit (Dickmann Mller-Camen, 2006). Stonehouse characterizes transnational key administration as cycles of authentic learning and execution upgrades. The transnational methodology includes working in various world markets, outlining responsive authentic structures and building up worth included exercises that endeavor national similarities and contrasts. The establishment of a transnational system is a worldwide vision, however with redid executions for nearby markets and areas (Kogetsidis, 2012). In human resource writing, various models and methodologies attempt to show how a key way to deal with the human resource can be interpreted into an arrangement of Co gnizant HR procedures and practices. Be that as it may, they are centered on the improvement of human resource processes with an understood suspicion that the association is moderately self-governing in building up its methodology. However, in people in an overall area, the technique of human resource is not self-governing and needs to check a scope of various partner points of view and to be engaged at the national level along with lower nearby level. These models have esteem in highlighting some central issues and showing the significance of a critical methodology. As indicated by the review results, procedures of human resource are adjusted to administrative methods, supporting to a particular degree the hierarchical changes. Moreover, the strategies of human resource are associated with the government policies (Dessler, 2008). The function of a human resource does not anticipate on its agenda significant economic and social changes. The human resource has the strategies to outsource service and make use of human resource information technology to grow the business in future. Consequently, the human resource department is enhanced and leads to a reduction of cost. Legal The legal system of China regarding e-commerce is still in its early stage. The nation has low experience for enlisting e-commerce legislations for subjects such as tax, right protection as well as intellectual property. So, it better for Cibo Expresso to look after the legal system of China and proceed their marketing system according to it. Over the past few year, the Chinese government started focusing on the improvement of e-commerce. Therefore, the organization has an opportunity to apply e-commerce marketing strategies. IP Protection The organizations that are operating their businesses in China have to concern with the protection of intellectual property. In order to protect intellectual property, a strategy is needed to conduct an initial audit of the organizations China operation. It is needed for determining the intellectual property risk and intellectual property assets. The organization must regularly communicate the value of protection of intellectual property. Clear steps should be taken to manuscript the IP protection efforts and policies of the company. Logistic Logistics is a significant department of every companies. Without logistics, the organization cannot export or import their products. For the transportation of products, Cibo Expresso needs to make a pact with the Chinese government so that the organization can get transport license and product carrying vehicles. It is an advantage for Cibo Expresso that they can get high technological based vehicles from Chinese government if they demand. Localization of products First of all, Cibo Expresso needs to improve the quality of products. After that, the products of this organization will become known to everyone. The company needs to increase the brand value of the products. When the brand value will be increased, the people will automatically locate the shop. Localization of products needs a proper branding strategy in order to spread to the citizens of China about the product quality. On the other hand, the organization must stand out from the competition. The local markets of China is saturated with competitors. Cibo Expresso must think differently from others in order to compete in this saturated competitive market. Environmental The company needs to implement corporate environmental strategies. The strategies include recognition of global environmental trends at early stage and change the plan of the company accordingly. However, they need to improve future corporate profitability. Aside that, the company need to adopt a creative and proactive approach to ecological challenges throughout the association. Cibo Expresso can also minimize the risk which arise from management issues such as liabilities of the product and sudden change in legal system. Ethical and Social Responsibility Social Responsibility is a significant role of an organization. The coffee company needs to create and develop a community. The business needs to set up a foundation in order to assist in learning or educating people about heath, food and living. It will boost up the reputation of the company and also increase their brand values. They can also include voluntary hazard elimination sessions where people will get education about the effects of using hazardous materials. Financial Risk analysis of international business model and recommendations for risk prevention Financial Risk Analysis Foreign exchange fluctuations are one of the most primary financial risk associated with the global business model. Each and every country has its currency along with the value of that money. The values of the currency change over time due to numerous factors, and it impacts the foreign exchange rates. The secondary risk is a political risk (Alexander, 2008). The political risk can increase the cost of operating a business in another country. It happens when the selected country such as China has a continuous change in political system. Last but not the least, the currency crisis is another risk associated with the financial system of Cibo Expresso. If the currency is useless, the customer of the organization is paying with insignificant currency which will hurt the company later on. The owners of the business with an extensive experience in the foreign markets want to privet the currency risk with numerous foreign exchange goods and merchandise. The risk associated with the foreign exchange is concerned with the fluctuations in the currency value. Global businesses such as Cibo Expresso with the intercontinental employees, international suppliers or international sales are susceptible to the changes in foreign exchange rates. Most of the time, the effect of the instabilities in the exchange leads to loss of business but if fortune favors then it can result in the profit of the company. Either way, these instabilities in the currency value presents a risk to benefit (Alexander, 2008). For example, Cibo Expresso is based in the Adelaide, South Australia and sells a product to customers in China; the Chinese do not pay the company in Australian dollars. Instead, they pay in Renminbi which is the Chinese currency. Customers want to remunerate with their money, so the organization has to change those funds to dollars after they pay in Renminbi. Political risk impacts the foreign exchange risk. The change in policies due to variations in political leadership can impact the trade businesses. The business may have to pay extra funds in tariffs and taxes to continue their trade business in China. If Cibo Expresso cannot pay taxes and tariffs, then the Government of China may cease the company. Any change in law can impact the profits as well as the viability of a firm with the global operations. Recommended Strategies Cibo Expresso needs some strategies to prevent risk such as political risk along with currency fluctuation risk. Cibo Expresso should completely understand protection as a great method to reducing the political risk (Hull, 2012). At the same time as at a great scale level, the disasters and risks associated with the politics are exceptionally hard to supervise, at the organization level. The political risk can be safeguarded against for a premium. The companies should be practical and uphold a strategic distance from situations with simple political risk. It come at a significant expenditure. However, best utilized as an outright protection, particularly in a mix with other, more practical political risk administration systems. Huge firms use refined scoring structures to measure political risk in locales. Therefore, a percentage of the biggest organizations utilizes an expert who could handle the risk or chief of government undertakings whose sole duty is to remain focused on potent ial political risks. For example, undependable political atmospheres, new representation, and decisions among other. The leaders of Cibo Expresso need to expand their political risks. The firms that have dynamic specialty units in diverse topographies need to distinguish their cost base that a few districts that look extremely alluring may equally convey high political risk. It is clear that considering political risk relevant includes organizations implementing practical strides to assess and relieve their risks. Secondly, the cafe must manage foreign exchange risk. The organization needs to identify the type of foreign exchange risk. The types are transaction risk, economic risk as well as translational risk. The organization can prevent transaction risk by insisting the international customers to pay from home and the company takes all responsibilities to deliver the products at home safely without any damage. It means that the clients of Australia can order unique products at home via online from China which is not available in Australia (Hull, 2012). The organization can also make a pact with the Australian government to supply Chinese food and beverages to Australia using Australian dollar exchange. In these ways, Cibo Expresso can prevent foreign exchange risks. Conclusion The overall report is based on market entry strategies and the risks associated with it. Here, Cibo Expresso is considered as the organization. In this report, the marketing strategies are concerned with factors such as the leadership, marketing, human resource management, legal, IP protection, logistics, and localization of products, environmental and social and ethical responsibilities. Later on, some financial risk are being discussed along with the recommended strategies. References Alexander, C. (2008).Market risk analysis. Chichester, England: Wiley. Alexander, C. (2008).Market risk analysis. Great Britain: John Wiley Sons. Dessler, G. (2008).Human resource management. Upper Saddle River, NJ: Pearson Prentice Hall. Dickmann, M. Mller-Camen, M. (2006). A typology of international human resource management strategies and processes.The International Journal Of Human Resource Management,17(4), 580-601. https://dx.doi.org/10.1080/09585190600581337 Hull, J. (2012).Risk management and financial institutions. Hoboken, N.J.: John Wiley. Kllezi, J. (2013). Strategies of Entry Modes: The Case of Greek Banks Entering the Albanian Market.AJIS. https://dx.doi.org/10.5901/ajis.2013.v2n2p321 Kenneth Shaw,. (2015). Foreign Market Entry Strategies.China-USA Business Review,14(8). https://dx.doi.org/10.17265/1537-1514/2015.08.002 Kogetsidis, H. (2012). Critical Systems Thinking: A Creative Approach to Organizational Change.Journal Of Transnational Management,17(3), 189-204. https://dx.doi.org/10.1080/15475778.2012.706704 Kotler, P., Keller, K., Lu, T. (2009).Marketing management in China. Singapore: Pearson Prentice Hall. Kretzberg, A. (2008).Market entry strategies for emerging economies. Frankfurt am Main: Peter Lang. Low, B. (2007). Business-to-business marketing practices in China.Jnl Of Bus Indus Marketing,22(2). https://dx.doi.org/10.1108/jbim.2007.08022baa.001 Lymbersky, C. (2008).Market entry strategies. Hamburg: Management Laboratory Press. Schorsch, M. (2009).Market entry strategies for Russia. Hamburg: Diplom.de. Succeeding in China. (2010). Boston, Mass.